I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!
Noren can see that his world is not as it should be—it is wrong that only the Scholars, and their representatives the Technicians, can use metal tools and Machines. It's wrong that only they have access to the impenetrable City, which he has always longed to enter. Above all, it is wrong for the Scholars to have sole power over the distribution of knowledge. Unable to believe in the Prophecy that promises these restrictions will someday end, he declares it to be a fraud and defies the High Lew under which they are enforced. His family and the girl to whom he is betrothed reject him. Yet he cannot turn back from the path that leads him to the mysterious fate awaiting heretics.
This, the first full-length fantasy ever written specifically for young adults, remains by far my favorite novel of its kind, both because of the unsurpassed beauty of its style and the depth of the ideas it expresses. I much prefer its conception of magic to that of the Harry Potter series. Magic, in this story, is integral to the world; it is never a mere casual pastime that depends on external paraphernalia. And it has serious consequences, both for the world and for the mage, or student-mage, who employs it unwisely at his peril. Though the story takes place in a vividly-portrayed imaginary world, it is not really about that world but about life, and though this is the aim of all good fantasy, rarely is it so successfully achieved.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
I don't ordinarily care for stories about dragons or speaking animals, but this book's beautifully written descriptions of them and their world made it compelling, and the singing dragons remained in my memory long after the first time I read it. Moreover, the familiar elements of such fantasy–a hidden prince, animal companions, magical objects, imprisonment in a dungeon, and so forth--are here presented in unique and believable ways. The protagonists are heroic but vulnerable and the villains who seek to enslave the world are truly evil, so that the reader feels that what happens to them really matters. And looking it over recently, I was struck by the realization that in the years since its first publication in the 1980s the timeliness of the story has increased.
Book 1: Nightpool. As dark raiders invade the world of Tirror, a singing dragon awakens from her long slumber, searching for the human who can vanquish the forces of evil—Tebriel, son of the murdered king. Teb has found refuge in Nightpool, a colony of speaking otters. But a creature of the Dark is also seeking him, and the battle to which he is drawn will decide Tirror’s future.Book 2: The Ivory Lyre. The bard Tebriel and his singing dragon Seastrider together can weave powerful spells. With other dragons searching for their own bards, they have been inciting revolts throughout the…
All of Robert Heinlein's YA novels are good (better, in my opinion, than his adult novels), but this one has special meaning for me because it was the first book I ever read about colonizing an uninhabited world. At the time it was published in 1950 I was sixteen and had been enthusiastic about the possibility of space travel for four years, since long before the general public was familiar with it; but all the space fiction I knew of was about mere adventure, usually adventure focused on fighting. The idea that families could someday settle a new planet--and, despite danger and hardship, accomplish something of immense importance to the future of humankind--made a strong impression on me and became one of my deepest convictions.
This is the first book in a series for adults that can also be enjoyed by teens. Unlike most space fiction, it's not about heroic exploits but about an ordinary young man coming of age while doing an ordinary job aboard a merchant starship. I like its portrayal of the human-settled part of the universe in the era of travel between stars. No aliens, no space battles–just a culture much like our own offering freedom and opportunity for personal achievement. The specific lifestyle described is anachronistic because cultures change over time; yet it's no further from realism than wildly-imagined changes would be. I believe fiction that shows significant future developments should let readers identify with its characters' experiences rather than depict differences merely for the sake of difference.
What if we sent freighters instead of frigates?In a universe run by corporations, where profit matters more than life, how can an orphan with no skills, no money, and no prospects survive?When Ishmael Wang's mother dies in a senseless accident, he's given a choice. Leave the planet on his own or the company will remove him. To avoid deportation, Ishmael finds work as a mess deck attendant on an intersteller freighter. Find out what Ishmael must do to earn his Quarter Share.
It may seem superfluous to recommend a book that everyone is already familiar with, yet I don't see how I could omit it from a list of my favorite books about imaginary worlds. After devouring the unauthorized paperbacks sold in 1965 before it became popular, I was thrilled to receive the hardcover set for Christmas. Though it’s intended for adults I would have loved it in my teens, as many teens do today. It was one of the few books that influenced my own writing, through inspiring the archaic language I used in sections of my book, and with references to it in a later novel. This trilogy and the quotable wisdom it contains are timeless, and will be read long after more recent fantasy sagas are forgotten.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
A human child raised by the fae is an uncommon thing. But Rafi was such a child.
Now grown, half-fae but mortal, he lingers on the edge of human society in Miryoku, a nearby town sharing a border with fae territory. He doesn’t want to join the human world properly; he just wants to play music with a local cover band and avoid the cruelest members of his fae family.
Then, he meets Roxana, and his world shifts. She’s a human metalworking witch, up for a friendly fling with Rafi before she and her twelve-year-old daughter move away from Miryoku at summer’s end. But Rafi and Roxana grow too fond of each other to let go easily, and worse still, they soon become enmeshed in a much larger storm of prejudice and violence between fae and humans.
A law-abiding metalworking witch and a form-shifting half-fae musician embark on a secret romance, but soon become caught in escalating tensions between fae and humans that threaten their hometown. The second story after the popular Lava Red Feather Blue comes alive in Ballad for Jasmine Town.
The town of Miryoku has ocean views, fragrant jasmine vines, and a thriving arts scene, including a popular nineties cover band. It also sits on the verge, sharing a border with fae territory, a realm of both enchantments and dangers.
Rafi has been unusual all his life: a human born to a fae mother,…
11,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
dragons,
good and evil,
and
farms.